![](https://www.drewschnurr.com/wp-content/uploads/2019/07/Confessions-Screenshot.png)
Breaking Glass Pictures acquires world rights to Eco-Terrorist: The Battle for our Planet by Peter Jay Brown with music by Drew Schnurr—a follow-up to the 2010 feature documentary Confessions of an Eco-Terrorist.
Drew Schnurr is a composer, sound artist, and performer from Los Angeles whose work blurs traditional lines in music, media, and sound.
As a composer for media, Drew has produced music and sonic branding for numerous world brands and media conglomerates. He is also an active concert composer and sound artist with a diverse range of international commissions and exhibits.
Revered by his peers, industry professionals, and critics, his work has been called both “rare” and “remarkable.”
“This composer bends and stretches rules within his own aesthetic, weaving his musical ideas in harmonious waves that threaten to drown, yet gently tumble the listener forward with intrigue and anticipation.” -Adam Rosenthal review for Persee: Orchestrated Perception
The DEUSONICA PODCAST explored the paradigm of the internet as a virtual performance hall. Podcast “concerts” included live sonic improvisations, electronic compositions, and experimental sound design.
IMPROVISATION 1 – Recording improvised on double bass, reaktor, ableton live, and filtered electronics. Originally podcast on February 13, 2006.
IMPROVISATION 2 – Recording improvised using a “circuit bent” sk-1, double bass, ableton live, and filtered electronic percussion. Originally podcast on March 11, 2006.
HYSTERICA – Inspired by Hysterica Dance Company performance in Los Angeles. Originally podcast on May 3, 2006.
ANIN – Inspired by choreographer Nina McNeely. Originally podcast on June 2, 2006.
FELLINI – Piece inspired by Federico Fellini (Juliet of the Spirits). Originally podcast on August, 17 2006.
AKOUSTIC(*)ELEKTRIC – Sonic improvisation recorded live at the Regent Theatre in downtown Los Angeles. Originally podcast on February 8, 2007.
The DEUSONICA PODCAST explored the paradigm of the internet as a virtual performance hall. Podcast “concerts” included live sonic improvisations, electronic compositions, and experimental sound design.
IMPROVISATION 1 – Recording improvised on double bass, reaktor, ableton live, and filtered electronics. Originally podcast on February 13, 2006.
IMPROVISATION 2 – Recording improvised using a “circuit bent” sk-1, double bass, ableton live, and filtered electronic percussion. Originally podcast on March 11, 2006.
HYSTERICA – Inspired by Hysterica Dance Company performance in Los Angeles. Originally podcast on May 3, 2006.
ANIN – Inspired by choreographer Nina McNeely. Originally podcast on June 2, 2006.
FELLINI – Piece inspired by Federico Fellini (Juliet of the Spirits). Originally podcast on August, 17 2006.
AKOUSTIC(*)ELEKTRIC – Sonic improvisation recorded live at the Regent Theatre in downtown Los Angeles. Originally podcast on February 8, 2007.
The DEUSONICA PODCAST explored the paradigm of the internet as a virtual performance hall. Podcast “concerts” included live sonic improvisations, electronic compositions, and experimental sound design.
IMPROVISATION 1 – Recording improvised on double bass, reaktor, ableton live, and filtered electronics. Originally podcast on February 13, 2006.
IMPROVISATION 2 – Recording improvised using a “circuit bent” sk-1, double bass, ableton live, and filtered electronic percussion. Originally podcast on March 11, 2006.
HYSTERICA – Inspired by Hysterica Dance Company performance in Los Angeles. Originally podcast on May 3, 2006.
ANIN – Inspired by choreographer Nina McNeely. Originally podcast on June 2, 2006.
FELLINI – Piece inspired by Federico Fellini (Juliet of the Spirits). Originally podcast on August, 17 2006.
AKOUSTIC(*)ELEKTRIC – Sonic improvisation recorded live at the Regent Theatre in downtown Los Angeles. Originally podcast on February 8, 2007.
The DEUSONICA PODCAST explored the paradigm of the internet as a virtual performance hall. Podcast “concerts” included live sonic improvisations, electronic compositions, and experimental sound design.
IMPROVISATION 1 – Recording improvised on double bass, reaktor, ableton live, and filtered electronics. Originally podcast on February 13, 2006.
IMPROVISATION 2 – Recording improvised using a “circuit bent” sk-1, double bass, ableton live, and filtered electronic percussion. Originally podcast on March 11, 2006.
HYSTERICA – Inspired by Hysterica Dance Company performance in Los Angeles. Originally podcast on May 3, 2006.
ANIN – Inspired by choreographer Nina McNeely. Originally podcast on June 2, 2006.
FELLINI – Piece inspired by Federico Fellini (Juliet of the Spirits). Originally podcast on August, 17 2006.
AKOUSTIC(*)ELEKTRIC – Sonic improvisation recorded live at the Regent Theatre in downtown Los Angeles. Originally podcast on February 8, 2007.
The DEUSONICA PODCAST explored the paradigm of the internet as a virtual performance hall. Podcast “concerts” included live sonic improvisations, electronic compositions, and experimental sound design.
IMPROVISATION 1 – Recording improvised on double bass, reaktor, ableton live, and filtered electronics. Originally podcast on February 13, 2006.
IMPROVISATION 2 – Recording improvised using a “circuit bent” sk-1, double bass, ableton live, and filtered electronic percussion. Originally podcast on March 11, 2006.
HYSTERICA – Inspired by Hysterica Dance Company performance in Los Angeles. Originally podcast on May 3, 2006.
ANIN – Inspired by choreographer Nina McNeely. Originally podcast on June 2, 2006.
FELLINI – Piece inspired by Federico Fellini (Juliet of the Spirits). Originally podcast on August, 17 2006.
AKOUSTIC(*)ELEKTRIC – Sonic improvisation recorded live at the Regent Theatre in downtown Los Angeles. Originally podcast on February 8, 2007.
The DEUSONICA PODCAST explored the paradigm of the internet as a virtual performance hall. Podcast “concerts” included live sonic improvisations, electronic compositions, and experimental sound design.
IMPROVISATION 1 – Recording improvised on double bass, reaktor, ableton live, and filtered electronics. Originally podcast on February 13, 2006.
IMPROVISATION 2 – Recording improvised using a “circuit bent” sk-1, double bass, ableton live, and filtered electronic percussion. Originally podcast on March 11, 2006.
HYSTERICA – Inspired by Hysterica Dance Company performance in Los Angeles. Originally podcast on May 3, 2006.
ANIN – Inspired by choreographer Nina McNeely. Originally podcast on June 2, 2006.
FELLINI – Piece inspired by Federico Fellini (Juliet of the Spirits). Originally podcast on August, 17 2006.
AKOUSTIC(*)ELEKTRIC – Sonic improvisation recorded live at the Regent Theatre in downtown Los Angeles. Originally podcast on February 8, 2007.
The DEUSONICA PODCAST explored the paradigm of the internet as a virtual performance hall. Podcast “concerts” included live sonic improvisations, electronic compositions, and experimental sound design.
IMPROVISATION 1 – Recording improvised on double bass, reaktor, ableton live, and filtered electronics. Originally podcast on February 13, 2006.
IMPROVISATION 2 – Recording improvised using a “circuit bent” sk-1, double bass, ableton live, and filtered electronic percussion. Originally podcast on March 11, 2006.
HYSTERICA – Inspired by Hysterica Dance Company performance in Los Angeles. Originally podcast on May 3, 2006.
ANIN – Inspired by choreographer Nina McNeely. Originally podcast on June 2, 2006.
FELLINI – Piece inspired by Federico Fellini (Juliet of the Spirits). Originally podcast on August, 17 2006.
AKOUSTIC(*)ELEKTRIC – Sonic improvisation recorded live at the Regent Theatre in downtown Los Angeles. Originally podcast on February 8, 2007.
Breaking Glass Pictures acquires world rights to Eco-Terrorist: The Battle for our Planet by Peter Jay Brown with music by Drew Schnurr—a follow-up to the 2010 feature documentary Confessions of an Eco-Terrorist.
Ascent of Weavers, a visual-music film by Rebeca Méndez in collaboration with Drew Schnurr at the Museum of Contemporary Art in Oaxaca, Mexico.
Exhibits from November 30, 2018 to May 17, 2019.
info @ rebecamendezstudio.com/Ascent-of-Weavers
A virtual architecture by Drew Schnurr, the #ARCH1 (Augmented Reality Concert Hall no.1) prototype was completed on May 15, 2019. Research assistants and producers on the project include Rachel Lanik Whelan and Jacob Thede with programming by Ian Afflerbach.
Ascent of Weavers, a film by Rebeca Méndez with music by Drew Schnurr, featured at the 2019 Los Angeles Latino International Film Festival.
info @ latinofilm.org/ascent-of-weavers
trailer and credits @ rebecamendezstudio.com
Judging films submitted for the 48 Hour Film Project in Dallas. Screenings on July 31 and August 1.